Take the risk, what’s the worst that could happen? Once you get the reboots out of the way, it’s a phase, I think there’ll be a wave of original programming,” he added. “More than ever, people are taking big, bold swings and networks want to see that. How do we translate that to entertainment value?”
How do you say the word constitution and people don’t curl up in a ball? That’s the challenge. “I believe that it’s the one document that’s become the most relevant document in some way, and we’re trying to figure out what’s our take to make it, what’s the mass appeal.
KIDS SAY THE DARNDEST THINGS CRACK
He’s also looking at competition formats, without elimination, and is trying to crack the Constitution. You’re talking to a guy who’s done a lot of murder and crime shows but I think there’s a need for that right now,” said the producer of Discovery ID’s Murder Book and The Coroner: I Speak for the Dead. I believe that comedy is the one thing that’s missing from our landscape overall. “That was never affordable before but can be done now. One is a mix of non-scripted comedy entertainment and animation. Schotz is keen to find more IP that he can bring to talent and is also looking at areas that are currently not on television.
KIDS SAY THE DARNDEST THINGS SERIES
She’s putting in the time that it takes to be a celebrity executive producer, which is much more important than just by title.”Īnvil 1893 Entertainment is now looking to strike while the iron is hot with a slew of other ideas in development and a handful of series orders on the horizon. She’s not saying ‘I’m a celebrity don’t talk to me’. “She does sit in our meetings and go over the kids and ideas.
Haddish is also an exec producer on the show, but Schotz said that she’s genuinely earning her crust. If you’re five years old and there’s 250 people clapping and you’re being told what to do, you’ve been there all day, that could be a little overwhelming at times.” It worked better for them because they weren’t playing to somebody. “We found that some of the kids shined without the audience. “We’re not trying to stretch material to cover it,” he said.Ĭovid meant that there was no audience, but that became a boon for the team. He calls the CBS version “faster” and “tighter” as a result of moving to a half-hour. She can play with them at a level, get down on the ground with them.” You just have to react to it, give a look to the camera. That’s the hardest thing to teach a comedian. She understood that she’s not the one that has to be funny. “She deals with kids on their own level, that’s the magic formula there. Schotz said that the key was Haddish’s interactions with the children.
He said that research showed that viewers liked the fact that it was an adult show that featured children, rather than a particularly family-focused show, but still allowed for co-viewing. There’s a signature part of the show where there are kids on the panel talking to the host. It’s not necessarily, let’s nuke it because we had Tiffany hosting kids. “We had to make it different, but the differentiation is a nuance.
Viewers won’t notice much difference, Schotz (left) said. The show, which features children giving their unvarnished views on the world, premieres on May 5 at 8pm and will return as half-hours rather than hours. “Bringing it to CBS, it’s the right show at the right time.” “This was positioned perfectly,” he added. The diversity on show was organic and natural and we paid a lot of attention to it – our show looked like a rainbow, especially to everything else that’s on the air.”īut he said while the economics didn’t work for ABC, it did for CBS, which owns the IP and the international distribution rights to the show and format. Exec producer Eric Schotz, who runs Anvil 1893 Entertainment, which is producing the series with CBS Studios, told Deadline, “I would be lying if I didn’t say it was a little surprising because at the time we were the number one co-viewing family show.